Writing for a Time Capsule

“No legs, no jokes, no chance.”

That was the response of a producer to an out-of-town tryout of Oklahoma! Audiences, however, were delighted. The program noted that the show went on to become Broadway’s longest running show for thirteen years.

Oklahoma! was the first modern musical because the songs and dances didn’t just entertain, they served the story. The show was based on a straight play called Green Grow the Lilacs, which wasn’t a hit and to which Rodgers and Hammerstein’s first collaboration added music and lyrics.

Elizabeth and I just saw a summer stock version of the show at the Sacramento Music Circus. More than ever, I appreciated the show as a time-capsule musical, the inspiring, quintessential play about the hope and promise of America. A century from now, if people want to watch plays that capture the American dream, Oklahoma! will be one of them.

Dreaming Big

The show also suggested a wonderful literary goal: writing books that will be read in a hundred years. Are there stories–long or short, true or fictional, American or foreign, successful or obscure–that you can re-imagine for today’s and tomorrow’s readers? Whatever narratives you choose to write, remember a simple criterion for every word: serve the story.

The Web gives you to tools to create in any medium and link your work to your e-book as well as link to anything else on the Web. This makes enhanced e-books that enable you to build a community of readers first modern books. They vastly extend your creative potential as well as your ability to reach readers. Old ideas, new techniques—the arts evolve, but the needs and desires of people and artists don’t. Seize the chance to tell the stories that only you can in the way only you can tell them.

Expect out-of-town rejections. In his outstanding keynote at the San Francisco Writers Conference, Steve Berry said that before he hit the bestseller list, he received 85 rejections on five novels before selling one. (His talk is available at www.sfwriters.org.)

Only time will tell if you’re right, and if you dedicate yourself to your craft and your career, you will be.

6 Keys to Succeeding as a Contentrepreneur

If a word in the dictionary was misspelled, how would we know?

–Steven Wright

You don’t have to worry about the word contentrepreneur, it’s too new to be in dictionaries. But to build a career in a digital culture, you have to marry content and entrepreneuring by being a contentrepreneur: a novelist or nonfiction writer who makes a business out of creating content. Here are six keys to doing it well:

1. Look at the potential of your ideas in the largest possible way.

  • Don’t think about one book but a series of books that sell each other.
  • Don’t think about one kind of writing but about every kind of writing that you can use to express and develop your ideas, and, whether for free or fee, use to build awareness of you and your work.

            * If you’re writing a series of related novels, consider all the possibilities for developing your story, setting, and characters in all forms and media from short stories to novels.

            * If you’re writing nonfiction books, think about all of the ways you can communicate your ideas from a blog post to a multi-book series and can use your content for income or promotion.

The next two keys come from a New York Times interview with Dan Rosensweig (7/11), president of Chegg, which rents textbooks. He had worked with the founders of Yahoo and publisher Ziff-Davis, from whom he learned the importance of two things:

2. Have an “unbridled passion” for focusing on opportunities not obstacles. Passion will enable you to transcend obstacles.

3. Look for ways to improve. Stasis is history. (The American Heritage Dictionary used the word motionlessness to help define it, following the word with this quote: “’Language is a primary element of culture, and stasis in the arts is tantamount to death’ (Charles Marsh).” Fewer things than ever are impossible, but stasis is one of them. Integrate the inevitability of change into your life and do what you can to control your writing and your career. Better you than someone else or a force or institution beyond your control. When things change, they either get better or worse. The question to keep asking yourself is: “How can I do this better?”

5. Grow. Find the spot in the constellation of authors in your field that will enable you to realize your goals and devise a plan to get there. Prices rise. So must your income. Think far ahead.

6. Steve Jobs likes to quote Henry Ford: “If I’d have asked  customers what they wanted, they would have told me, ‘A faster horse!’” More of the same is relatively easy. Creating ideas for books that readers can’t imagine is always a possibility for visionary writers. Coming up with an idea for a story or a better way to live that people couldn’t know they’d be thrilled to read is an opportunity that’s always waiting for you.

May being a contentrepreneur bring you contentment (but not enough to keep you from staying one!).

Joining Your Literary Community

Groucho Marx once said that he wouldn’t join any organization that would have him as a member. Fortunately, writers welcome other practitioners of the craft to their ranks. One  reason why now is the best time ever to be a writer is that there are more ways to connect with other writers than ever. Nothing will be more valuable to you than a community of writers who share your goals and challenges and who can advise you about writing, agents, publishers, and promotion. Writers need each other more than ever.

After two posts on critique groups, a reader asked about finding a critique group if you’re new in town. Here’s one way: meetup.com lists writing groups. Type “meetup writing [and your city]” in a search engine, and they come up.

But this is part of a larger question: whether you’re new in town or not, how do you join the writing community?  

In a word: ask!

  • You can ask writers, booksellers, librarians, publishers, book reviewers, writing teachers, freelance editors, and book publicists.
  • Ask your friends, neighbors, and co-workers.
  • You can ask at writing and author events, writing classes and conferences.
  • You can ask your friends on Facebook and your peeps on Twitter and other social networks. Googling “social networks for writers” yields 12,000,000 links for sites like Red Room.
  • You can ask at businesses you patronize.
  • Since writers participate in reading groups, you can search online for reading groups in your town.
  • You can also be entrepreneurial and start a group. If you need a place to meet, at least to get organized, bookstores and libraries are logical places to try. Schools, churches, and other nonprofits are alternatives. A bank or another business with a conference room may be willing to host the group, especially if a member works there.

If you don’t have a collaborator, you’re writing alone. But you can create a continually growing community of writers and others to help you the rest of the way. Writers who are eager and able to help you are waiting for you to find them. Start now.

Writing Wisdom

A Dan Piraro cartoon in Parade showed a medium sitting across a table from a customer with a netbook computer in front of her, and she’s saying: “We don’t use a crystal ball anymore. We just Google you.”

An editor interested in buying your book will Google you to get a sense of your presence online. Instead of a crystal ball, they’ll use a computer-generated profit-and-loss statement, along with feedback from colleagues, to help justify buying your book.

What wisdom about writing can I offer that will help you convince editors to say yes to your book? One or a series of books could be written about the wisdom you can gain from doing a job or practicing an art or skill. Some examples:

Biking

  • Riding uphill is harder, downhill more dangerous.
  • You have to know your bike, yourself, and the territory.
  • You have to expect the unexpected at any second.

Photography

  • You have to be the right distance from your subject.
  • You have to balance color, foreground and background, tension and harmony, and the elements in a composition to create unity.
  • Knowing how to use your camera will help increase your creativity.

Driving a Taxi

  • You have to look at what’s around you but also in the distance both for traffic and for passengers.
  • You will have slow and busy periods.
  • You will have good and bad luck; you hope that they will balance each other.

Writing

  • Reading is the doorway to writing.
  • The best reason to write is that you must.
  • You have to capture readers’ interest immediately and keep it as long as it takes them to finish your book.
  • If you have a problem with your writing, focus on something else, and your subconscious usually provides the solution.
  • Your proposal or manuscript is finished only when the people you share it with can’t figure out how to help you improve it.
  • You need mentors to supplement your learning about writing, agents, promotion, technology, and publishing.
  • The models for your books and career will light the way until you’re ready to find your unique path.
  • You have to maximize the value of your book before you seek and agent or publisher by test-marketing it, building your platform and communities of fans, and developing a promotion plan.
  • Promotion is more challenging than writing.
  • The writing you do about your writing is as important as the writing itself (Katharine Sands).
  • Publishers and literary agents are eager to find new writers as new writers are to be discovered.
  • Your passion for writing and sharing your work will see you through the challenges of being an author.
  • You will meet those challenges more easily if you’re clear about your short-  and long-term personal and professional goals.
  • You will succeed if you persevere, and the harder it is to achieve success, the more satisfying it will be.
  • And as I mentioned in the previous post, luck has a lot to do with a book’s success.

I found one of my favorite pieces of wisdom on a cloth bag that Workman Publishing gave away one year at BEA: “The more you garden, the more you grow.” You can grow by acquiring wisdom from any endeavor and you can apply it to writing. The more conscientious you are, the more you’ll learn. May you have all the luck you want, and may the wisdom above speed you on your way.

Making It Up as You Go Along

La Crosse, Wisconsin

Phil Neumark, who’s cycling across the country and shepherding me as I accompany him for a few days, doesn’t like the noise and traffic on main roads. So he looks for state and county roads that go through towns and have more picturesque views. This requires him to supplement his map for the day by improvising, and asking for directions on which roads to take and where to stop for lunch.

People are always impressed with Phil’s mission and are as helpful as they can be.  They aren’t always right, which can mean climbing hills in vain, asking for more directions, and climbing the hills again to get back on the right route. But then, an adventure is what happens when things go wrong.

I had my first flat ever not long after leaving St. James, where we had stopped for lunch. It was on the rear tire which is harder to fix. Phil was too far ahead of me to help. Left to my own devices, had enough time elapsed, passing motorists would have spotted my bones, like a steer that didn’t make it, next to the bike. But the first vehicle I waved to, driven by Kathy and Laurie, two angels in distress, gave me a lift to our hotel in Mankota.

Writing and building a career involves asking for help and improvisation: choosing the right idea, word, agent, publisher, and ways to reach your readers. Not of your choices will work, but keep asking for advice and improvising, and you’ll get where you want to go. Assume that you will back into accomplishing your goals by trying alternatives that don’t work. What you will have left are the right choices for you.

Stay loose!

11 Important Elements in a Novel or Memoir

A computer lets you make more mistakes faster than any invention in history, with the possible exception of handguns and tequila.

–Mitch Ratliffe

Your computer ends the physical drudgery of writing. But it can’t prevent you from making mistakes or ensure that what you write is salable. You may have only seconds to seize the interest of agents and editors who are swamped with submissions. In descending order of importance, here are the eleven most important elements in a novel or memoir:

  • The idea: Will it excite editors because it’s new or a fresh take on an old idea?
  • The first page: Do the first sentence, paragraph, and page compel readers to keep going? (For more about this, please see my earlier post on The S Theory.)
  • The story: Do your conflicts, story twists, and subplots make readers want to know what  comes next?
  • The people: Will your readers connect with your characters and care what happens to them?
  • Page-turnability: Does the pace vary and does the tension or suspense keep your readers turning the pages?
  • The dialogue: Is it varied and distinctive enough and to portray the characters through  tone, emotion, and the way they speak?
  • The writing: Is it good enough for the kind of book you’re writing?
  • The setting/s: Does it reflect, enhance, or drive your story?
  • The structure:  Is how you constructed your story the most effective way to build tension until the climax?
  • The ending: Is it the perfect dessert at the end of a great meal?
  • Your future books: Do you have a synopsis or proposal for a follow-up book?

 Also Worth Noting

The synopsis: Does it tell the whole story in a way that will make agents and editors who read part of the manuscript eager to read the rest of it?

Rising Fast in Importance

  • Your promotion plan: Will it help get enough books to the cash register?
  • Your platform: Do you have continuing visibility, online and off?

You need knowledgeable readers to help you answer these questions. Ask them to use this list when you share your work. My partner Elizabeth Pomada, who handles the fiction and memoirs in our agency, and our assistant, Claire Cavanaugh, helped with this list, which doesn’t claim to be definitive. These elements may vary in importance.

Two suggestions to help you:

  • Make your models first resource: the books you love that inspire you to write yours.
  • As in all things, trust your instincts and common sense.