6 Keys to Succeeding as a Contentrepreneur

If a word in the dictionary was misspelled, how would we know?

–Steven Wright

You don’t have to worry about the word contentrepreneur, it’s too new to be in dictionaries. But to build a career in a digital culture, you have to marry content and entrepreneuring by being a contentrepreneur: a novelist or nonfiction writer who makes a business out of creating content. Here are six keys to doing it well:

1. Look at the potential of your ideas in the largest possible way.

  • Don’t think about one book but a series of books that sell each other.
  • Don’t think about one kind of writing but about every kind of writing that you can use to express and develop your ideas, and, whether for free or fee, use to build awareness of you and your work.

            * If you’re writing a series of related novels, consider all the possibilities for developing your story, setting, and characters in all forms and media from short stories to novels.

            * If you’re writing nonfiction books, think about all of the ways you can communicate your ideas from a blog post to a multi-book series and can use your content for income or promotion.

The next two keys come from a New York Times interview with Dan Rosensweig (7/11), president of Chegg, which rents textbooks. He had worked with the founders of Yahoo and publisher Ziff-Davis, from whom he learned the importance of two things:

2. Have an “unbridled passion” for focusing on opportunities not obstacles. Passion will enable you to transcend obstacles.

3. Look for ways to improve. Stasis is history. (The American Heritage Dictionary used the word motionlessness to help define it, following the word with this quote: “’Language is a primary element of culture, and stasis in the arts is tantamount to death’ (Charles Marsh).” Fewer things than ever are impossible, but stasis is one of them. Integrate the inevitability of change into your life and do what you can to control your writing and your career. Better you than someone else or a force or institution beyond your control. When things change, they either get better or worse. The question to keep asking yourself is: “How can I do this better?”

5. Grow. Find the spot in the constellation of authors in your field that will enable you to realize your goals and devise a plan to get there. Prices rise. So must your income. Think far ahead.

6. Steve Jobs likes to quote Henry Ford: “If I’d have asked  customers what they wanted, they would have told me, ‘A faster horse!’” More of the same is relatively easy. Creating ideas for books that readers can’t imagine is always a possibility for visionary writers. Coming up with an idea for a story or a better way to live that people couldn’t know they’d be thrilled to read is an opportunity that’s always waiting for you.

May being a contentrepreneur bring you contentment (but not enough to keep you from staying one!).

Writing Wisdom

A Dan Piraro cartoon in Parade showed a medium sitting across a table from a customer with a netbook computer in front of her, and she’s saying: “We don’t use a crystal ball anymore. We just Google you.”

An editor interested in buying your book will Google you to get a sense of your presence online. Instead of a crystal ball, they’ll use a computer-generated profit-and-loss statement, along with feedback from colleagues, to help justify buying your book.

What wisdom about writing can I offer that will help you convince editors to say yes to your book? One or a series of books could be written about the wisdom you can gain from doing a job or practicing an art or skill. Some examples:

Biking

  • Riding uphill is harder, downhill more dangerous.
  • You have to know your bike, yourself, and the territory.
  • You have to expect the unexpected at any second.

Photography

  • You have to be the right distance from your subject.
  • You have to balance color, foreground and background, tension and harmony, and the elements in a composition to create unity.
  • Knowing how to use your camera will help increase your creativity.

Driving a Taxi

  • You have to look at what’s around you but also in the distance both for traffic and for passengers.
  • You will have slow and busy periods.
  • You will have good and bad luck; you hope that they will balance each other.

Writing

  • Reading is the doorway to writing.
  • The best reason to write is that you must.
  • You have to capture readers’ interest immediately and keep it as long as it takes them to finish your book.
  • If you have a problem with your writing, focus on something else, and your subconscious usually provides the solution.
  • Your proposal or manuscript is finished only when the people you share it with can’t figure out how to help you improve it.
  • You need mentors to supplement your learning about writing, agents, promotion, technology, and publishing.
  • The models for your books and career will light the way until you’re ready to find your unique path.
  • You have to maximize the value of your book before you seek and agent or publisher by test-marketing it, building your platform and communities of fans, and developing a promotion plan.
  • Promotion is more challenging than writing.
  • The writing you do about your writing is as important as the writing itself (Katharine Sands).
  • Publishers and literary agents are eager to find new writers as new writers are to be discovered.
  • Your passion for writing and sharing your work will see you through the challenges of being an author.
  • You will meet those challenges more easily if you’re clear about your short-  and long-term personal and professional goals.
  • You will succeed if you persevere, and the harder it is to achieve success, the more satisfying it will be.
  • And as I mentioned in the previous post, luck has a lot to do with a book’s success.

I found one of my favorite pieces of wisdom on a cloth bag that Workman Publishing gave away one year at BEA: “The more you garden, the more you grow.” You can grow by acquiring wisdom from any endeavor and you can apply it to writing. The more conscientious you are, the more you’ll learn. May you have all the luck you want, and may the wisdom above speed you on your way.

12 Ways to Excite Pros About Your Novel

A novel has been called a piece of prose that has something wrong with it. Here’s how to ensure your novel has nothing wrong with it: twelve ways to get agents and editors excited about your work.

            1. Your idea: new, creative, timely, informative, entertaining, transformative, commercial, helpful, aimed at a large, proven market

            2. Your writing: style, tone, humor, drama, inspiration, insights, voice

            3. Your irresistible first page: compels editors to turn the page

            4. Your readers: the community of readers who give you feedback while you’re writing your book and when you’re done

            5. You: your passion, commitment, track record, credentials

            6. Your platform, visibility online and off: blog, short stories, teaching, speaking, a blog, social media, networks

            7. Your test-marketing: a blog, podcast, e-book, self-published edition, serialization, website

            8. Your promotion plan: a list of things you will do, online and off, and how many of them, a budget

            9. Your book’s promotion potential: online and off, reviews, media interviews,   endorsements

            10. The markets for your book: consumers, libraries, subsidiary rights, reading groups

            11. Your future books: your book’s series potential, the synopsis for your next book

            12. Your book’s spinoff potential: merchandising products, short stories, music

There’s a Sipress cartoon in the New Yorker showing a medieval torturer in a dungeon standing in front of a guy being stretched on a rack, and he’s saying: “Don’t talk to me about suffering—in my spare time, I’m a writer.” Using these ideas will lessen your suffering on the road to publication.

I’m researching material for future blogs and looking forward to writing to you soon.

Following the Money: Publishing 2010

“Publishing exists in a continual state of forecasting its own demise; at one major house, there is a running joke that the second book published on the Gutenberg press was about the death of the publishing business.”

This is from a must-read article by Ken Auletta about the iPad in April 26th issue of The New Yorker. It includes numbers that follow the money in publishing as it migrates to the Web. They also provide a perspective on the business and where it’s going:

P-commerce

* Six publishers produce 60% of books sold.

* 70% of the 100,00 books that industry produces a year don’t earn back their advances.

*On a $26 book, authors receive $3.90 in royalties, 15% of list price on a hardcover book. Publishers make a $1 profit.

* More than 50% of revenue at Random House comes from backlist books.

* Since 1999, the number of independent bookstores declined from 3,250 to 1,400.

(On the other hand, the San Francisco Bay Guardian just gave a Chain Alternative Award to the Northern California Independent Booksellers Association, which has two new members this year.)

* Independents have 10% of sales, chains about 30%, big-box stores like Wal Mart, 45%, which pressures big houses, like Hollywood studios, to produce blockbusters.

* Publishers have to run two businesses at once: a traditional publishing business and an electronic business.

E-commerce

* Marcus Dohle, the Chairman and CEO of Random, said “The digital transition will take five to seven years.”

* There are 50,000,000 iPhones in the world, which O’Reilly Media vice-president Andrew Savikas calls “a great customer base” for book apps.

* Most publishers are giving a 25% royalty on e-books.

* Amazon’s 3,000,000 Kindles generate 80% of e-book sales, which Amazon achieved, in part, by selling at a loss.

* When Amazon customer can choose between a paperback and an e-book, 40% of them choose the e-book.

* Kindles users buy 3.1 as many books as they did twelve months ago.

* An Apple adviser who used Netflix to download movies compared bookstores to video stores ten years ago.

* Three behemoths–Apple, Amazon, and Google–are competing, so one of them can’t dictate terms.

* Author Solutions works with 90,000 authors.

What these numbers suggest is that publishing is going through a transformation. Old and new media companies will in time establish a business model that works for them and makes money for writers.

What these numbers can’t capture is the article’s engaging, rough-and-tumble portrait of predators at play or the importance of

* publishers in discovering and developing new authors

* independent bookstores in launching them

* writers who keep the whole enterprise afloat by sitting in front of their computers creating the art that makes commerce possible

Former Random House editorial director Jason Epstein said: “When I went to work for Random Houe, ten editors ran it. We had a sales manager and sales reps. We had a bookkeeper and a publicist and a president. It was hugely successful. We didn’t need eighteen layers of executives. Digitization makes that possible again, and inevitable.”

Author Lee Foster says “This will be a golden age for content creators.” You will create your future as a writer with your head, your heart, and your fingertips. Three cheers for content, whatever form it takes!

The Drop-dead Rejection Letter

Snoopy in Charles Schulz’s Peanuts cartoon strip received the toughest rejection slips I’ve ever seen. In one of them, he’s reading a letter that says:

            “Dear Contributor:

            Many thanks for submitting your story to our magazine. You are the worst writer we’ve ever seen. Leave us alone. Drop Dead. Get lost.”

            Snoopy leans against his dog house and says: “Probably a form rejection slip.”

Elizabeth and I are kinder in our rejection letter, and following up on my previous blog about rejection, I thought you might be interested in seeing it.  Since rejections are inevitable, we try to make the letter as painless and inspiring as we can. As far as we know, it’s unique and we receive compliments on it. If you’re ever tempted to submit to our agency, at least you’ll know what our response may be.

Dear Writer:

Many thanks for contacting us about your work. We’re very sorry that we have to decline what you have been kind enough to offer, because we can’t help you achieve the success you want.

We are eager to find new books and writers, and we love to get excited about them. But the only way we can make a living is by selling books to big and midsize publishers, and selling books by new writers is becoming more difficult. Now is the best time ever to be a writer, but finding new writers is the hardest part of our job, and it’s getting harder.

Like the rest of the arts, publishing is a very subjective business. Even though we have written or coauthored fourteen books, most of which have been successful, we still get rejected. And although we have sold books to more than 100 imprints and publishers, our clients’ work is still rejected. Nor do all of the books that we sell succeed.

Like editors, we receive thousands of submissions a year and reject more than ninety percent of them. This prevents us from commenting on submissions and forces us to use a form letter. But take heart! Rejecting manuscripts that become bestsellers is a publishing tradition.

So assume we’re wrong. Persevere until your books reach the goals you set for them. We usually can’t suggest a publisher or agent who might be interested in a writer’s work, but your writing community, directories, the Web, and the Association of Authors’ Representatives will lead you to the agent you need. Persistence rewards talent. We can’t make a living saying no, but as author Joe Girard says: “Every no gets you closer to yes.”

Many thanks for giving us the opportunity to represent you. We wish you the best of luck with your writing career. The information on our site may explain why you’re receiving this letter. Persevere!

Yours for Good Books That Sell (Especially When They’re Yours!),

Michael Larsen                                      Elizabeth Pomada

The letter is always a work in progress, so if you can think of a way to make it more helpful, please let me know.

End Rejections and Obstacles Immediately

Where you stand depends on where you sit.

–Miles’s Law

It’s been said that you have about the same chance of winning the lottery whether or not you buy a ticket.

I received an email from a writer who I’m sure believes that you have about as much chance of getting a book published whether or not you write it. He is so discouraged by the process that he’s going to stop writing. I wrote to him, and here are my thoughts on his predicament:

As a writer whose work has been rejected often and an agent whose submissions to editors have been rejected thousands of times, I empathize with you. Want to stop getting rejections? Don’t submit anything. That and self-publishing are the only ways to do it. Otherwise, accept the inevitable. The New Yorker rejected a story by Saul Bellow after he won the Nobel Prize for literature.

Publishing is a business that guesses wrong most of the time. More than 80% of the books that are published lose money, and agents and publishers reject bestsellers. Joseph Heller’s Catch-22 has that title because it was published by the 22nd publisher to see it.

Publishers want to publish books with pride and passion. They love literary books as much as they need commercial books, and bestseller lists include both kinds of books.

I’m sorry you haven’t been able to connect with an agent or editor. Their jobs depend on them finding new writers and helping them succeed, and it’s the best part of their job. But they accept less than one percent of the submissions they see.

You’re angry because they send form letters. But  agents and editors receive thousands of submissions a year, so they can’t take the time to write personalized letters.

Your query letter may be part of the problem. Agent Katharine Sands says: “The writing you do about your writing is as important as the writing itself.” This is why you need readers who can assure you that every word is right, and your that letter has the impact you want it to have.

Your proposal or manuscript may also be the reason why you haven’t sold your book.

How many competitive books have you read to establish criteria for your book?

What books did you use as models for your book?

How closely does your work meet the standards they set?

How many drafts did you do?

How many qualified readers gave you feedback on your work as you were writing it and after you finished it?

Agents and editors can tell instantly whether someone can write and knows how to start a proposal or manuscript, and because they’re swamped, they must decide as quickly as they can whether to keep reading.

Are they infallible? No.

Do they make mistakes? You betcha.

At the San Francisco Writer’s Conference, bestselling thriller writer Steve Berry said that his first five novels were rejected eighty-five times. Five of Sue Grafton’s first seven novels were never published. After Danielle Steel’s first novel was published, she wrote five more that were never published.

Although technology can accelerate success in the arts, writing is the easiest of the arts to enter. All you have to do is sit down and start putting black on white. It’s also the easiest in which to succeed. You may feel better about your problems if you talk to actors, artists and dancers about the challenges they face.

You have to have faith in your work and yourself and keep writing. You’ll become a better writer with every book. Sure, you’ll go through periods of doubt, but if you persevere and have readers to critique and encourage you, you will work your way through the doubt.

Want to eliminate all of the obstacles in your life immediately? Eliminate your goals. No goals, no obstacles. The challenges you face are commitment tests. The larger your literary and financial goals, the greater the obstacles you will have to overcome to reach them. And the sweeter your success will be when you do.

Ray Bradbury once said that when you’re starting out, you have to learn to accept rejection. When you succeed, you have to learn to reject acceptance. I hope you’ll have that problem as soon as possible.

If anything can stop you from becoming a writer, let it. If nothing can stop you, do it and you’ll make it.

Comments and questions welcome.