Making Your Book Unputdownable

A patient complains to his psychiatrist: “Nobody pays any attention to me.”

The psychiatrist says: “Next.”

The desire to hear, tell and read stories is part of what makes us human. Stories explain the inexplicable. They help us to learn, grow, come to terms with life and ourselves, and to escape from our problems by transporting us to places where only stories can take us.

A critic named Moses Hadas once said of a book: “Once you put it down, you can’t pick it up.” If you want agents and editors to pay attention to you, write a book they can’t put down (pun intended). They are perpetual optimists, always hoping that the next manuscript they pick up will be unputdownable.

What makes a novel or narrative nonfiction book impossible to put down?

  • A fast-paced plot that keeps you turning the pages to find out what happens next
  • Characters you care about so much about that you have to find out what happens to them
  • Settings so inviting and vividly described you don’t want to leave them
  • An action-packed or life-changing opening that forces readers to keep reading by making them want to know what happens next
  • The use of telling details to make people, places and situations come alive
  • Interesting information about real events, people, places and cultures 
  • Surprises
  • An effective blend of people, setting and story
  • Each scene starting as late as possible
  • A literary or commercial style that is an irresistible pleasure to read
  • An ending that is like the perfect dessert at the end of a great meal

Do you know where you can always find authors who write books like this consistently? On bestseller lists! Ready to join them? Write a page-turner. If you can keep your readers turning the pages, it doesn’t make any difference what you write about.

Agents, editors and readers are always eager to discover new writers, and they will be delighted to help you attain the fame and fortune you want.

Go for it!

I’d be glad to add to the list if there is anything else that makes books unputdownable.

The S Theory of Compelling Storytelling

  Forcing Fiction and Narrative Nonfiction Readers to Turn the Page

 The first page sells the book.   –Mickey Spillane

 Agents, editors and book buyers only read far enough to make a decision. If they don’t like what they read on page one, they won’t turn the page. Book buyers may not read the second sentence of a book in a bookstore. This leads to “The S Theory of Storytelling” for fiction and narrative nonfiction that writers want to read like novels:

 Style

Story

Setting

Someone

Something

Something Said

or Something Else

on page one must be compelling enough

to make agents, editors, and book buyers turn the page.

Your book will compete with the growing number of ways consumers can use their free time and discretionary income. So every word you write is an audition to get your readers to read the next word. Every line you write must convince your readers to read the next line. Assume you have only one sentence to convince browsers to keep reading. Every page you write must arouse enough interest to keep readers turning the pages. And you face that challenge on every page you write except the last one.

The last page sells the next book. –Mickey Spillane