Marrying Commerce to Community: The Next Bookselling Revolution

People, companies, and countries that don’t reinvent themselves every three-to-five years will get left behind.

–John Chambers, Chairman and CEO, Cisco Systems

At the end of the nineteenth century, there was concern about the future of reading because people were spending so much time riding bicycles. New technology makes people think either/or instead of both/and. Publishing will continue to be a hybrid business, and it will flourish, online and off, as never before, if the publishing community collaborates on thinking outside the big box, and is creative and resourceful in taking advantage of the huge opportunities technology offers.

Overlooked in discussions about bookselling is that print books are a unique medium. They can be converted into other forms and media, but they are irreplaceably valuable. Imagine the world without movies and CDs as it was at the beginning of the twentieth century. Then imagine it now without print books. A catastrophe for our personal, professional, and political future. Can you imagine taking an oath on an e-reader?

Mosaic: An Online Bookselling Community

One way to assure the future of print books is to regard them as artifacts of culture, not just commerce. The solution to online bookselling is for the publishing community to create its own Amazon as a non-profit cooperative, formed and administered by American Association of Publishers and the American Booksellers Association with the advice and support of The Author’s Guild, the Association of Authors’ Representatives, and other writing and publishing organizations.
Publishers would upload books into the system, post metadata, change whatever they wish whenever they wish, and fulfill orders. The cloud and the low cost of starting tech companies make this project easier and cheaper to accomplish than ever. Present and former Amazonians would be delighted to help. It could start just by selling books, then add features members want.

A possible name for the organization: Mosaic, because it would be a unified image yet each imprint would be distinct and enrich the whole. The slogan to improve on: “We care about books.” With the support of stakeholders in the industry, Mosaic will be fail-proof and a service to readers everywhere. Making the software available to other countries will make the idea universal.

Indies Unbound: An Offline Bookselling Community

It’s been predicted that Barnes & Noble will not recover from its problems and will suffer the same fate as Borders and the independents the chains destroyed. The creative destruction of four-story bookstores will be the greatest opportunity ever for independent bookselling, if they become community-based nonprofits or co-ops. The ideal size for a bookstore is 3,000-4,000 feet. A growing network of independent booksellers can thrive if they do these four things:

1. Become member-and-community-supported nonprofits like other cultural resources, such as PBS, libraries, museums, symphony orchestras, and dance and opera companies. A customer in Four-Eyed Frog Books in Gualala, California handed owner Joel Crockett a $100 bill as a deposit on future purchases, which inspired him to start a Community Supported Bookstore program. Members buy enough books in advance, perhaps at a discount, to help assure the store’s survival.

If the ABA decides to receive petitions from towns with, for example, a thousand names of people who commit to buying $100 worth of books a year, the ABA can help find someone to run it, help the person to start the store, and have someone available to answer questions. Regional associations and other indies will help.

The publishing community can support the ABA in making the case to the government that booksellers who wish should be nonprofits. The AAP and the ABA can help support new booksellers who want to adopt this model. Towns, local realtors, and independent stores could help provide needed products, services, and space.

This could happen with libraries that want to start a store. The ABA can post the demographics required to sustain a store, and send them to librarians, Chambers of Commerce, and regional bookselling organizations asking for potential locations. This idea will lead to the revival of stores forced out of business.

2. Have Espresso Book Machines that enable stores to stock as many books as Amazon as well as printing books for schools and independent publishers. Wouldn’t it be better for stores to stock one copy of twenty titles than twenty copies of one title? I watched Jason Epstein’s excellent Book  Business being printed at McNally & Jackson in New York, before being handed the book warm off the press. It took five minutes. Since technology years are like dog years, in five years, it will take one minute. AAP and ABA should collaborate with Xerox on helping to get EBMs into bookstores now and encouraging publishers to make their lists available on EBMs. Color printing and printing in other formats should be integrated into EBMs as soon as the technology makes it possible.

3. Make Bookstores an ever more needed respite for screenagers by being community centers that

  • respond to their community’s needs and tastes
  • provide events and classes
  • serve as a meeting place for reading and writing groups
  • contribute to community events and causes

4. Continue to collaborate with other businesses to make customers aware that communities lose a quarter of every dollar spent in chains while indies spend that income in the community. There is a growing interest in locally produced food and independently produced goods. Indies can use signing and all the other ways they communicate with customers to convince locavores to become loca-shoppers.

The America we love will not outlive print books. Technology is transforming the world from a collection of me cultures into a hyper-connected we culture, a global village with a human family united by the same needs and desires. We need books more than ever to help solve the problems our institutions can’t.

Technology is giving us these two gifts for the book community to enlarge the community of the book. If, for the first time, the book community collaborates on marshaling the passion of readers, writers, and professionals, print books will receive the support they need and deserve. Like writing and publishing, bookselling is a labor of love. Wedding community and commerce will create an enduring union that will produce happy readers, publishers, and booksellers.

The blog aspires to help you and me understand writing and publishing. To make the blog as good as I would like it to be, I need your comments, questions, and answers. I hope that you will find it worth sharing with your community of writers.
The 4th San Francisco Writing for Change Conference: Changing the World One Book at a Time
September 15, 2012 / Unitarian Universalist Center / Franklin & O’Farrell, San Francisco
The 10th San Francisco Writers Conference / A Celebration of Craft, Commerce & Community / February 14-17, 2013 / www.sfwriters.org / sfwriterscon@aol.com /
http://sfwriters.info/blog /@SFWC/ www.facebook.com/SanFranciscoWritersConference
San Francisco Writers University / Where Writers Meet and You Learn
Laurie McLean, Dean/free classes/www.sfwritersu.com/sfwritersu@gmail.com/@SFWritersU
415-673-0939 / 1029 Jones Street / San Francisco, 94109

7 Questions for Preparing a Proposal

Many thanks to Jeevan Sivsubramaniam, Managing Director Editorial at Berrett-Koehler Publishers and a speaker at the San Francisco Writers Conference for this first-rate handout:

Many people have great ideas for books to help change the world politically or socially, or to help individuals grow in spirit and purpose. Keep these seven questions in mind when writing your proposal:

1. Is your book really needed?

Authors often write books that they feel people need to read, but that does not mean people will read them. More and more people are getting cancer, recovering from mental illness, overcoming addictions, or getting sick of the economy every year, but there are already 1,001 books on these subjects. Why is yours different? What makes your book especially compelling? If you have teenage children or nieces and nephews, pitch your book to them and gauge their interest –you’ll receive the same response from the marketplace.

2. Is your book tightly focused?

Too many people want to write a world-as-I-see-it-and-how-it-should-be type of book in  which  they comment on all aspects of a particular subject. These sprawling works hold little appeal for most book buyers. Readers don’t want a grand vision or blueprint for a new government or economy or behavioral model, unless you are an influential world leader who has the clout to make these changes happen. Exhaustive books are just that–exhausting. If you can’t sum up your book’s core premise in two sentences, it’s too scattered.

3. Who is the audience for your book?

Don’t look for overly general markets and say that your book is “for everyone concerned about “the environment,” ” democracy,” or “spirituality.” In nonfiction, there is no such thing as a general reader. Be specific and carve out a niche for which a sizable yet specific audience exists. No one walks into a bookstore and asks for a book about “something that could be for everyone.”

4. Are your qualifications, background, and knowledge directly related to your subject?

There are doctors who write about politics, politicians who write about economics, and economists who write about spirituality. The problem is that these people lack the qualifications and professional consulting and speaking experience in the subject they are writing about. Are professional qualifications the only measure of authority on a subject? No, but if you needed surgery, would you go with someone who has conducted a lot of independent research and learned a lot about medicine or a board-certified surgeon? You can disregard everything above if you are a celebrity, which explains why Tori Spelling can write a New York Times bestseller about parenting.

5. What are the competing titles?

This question is related to question number 1. Who else has written on this subject and what other books are already out there? How does your book differ–again, in a compelling way–from those? Be realistic and don’t list books by Elizabeth Gilbert, Deepak Chopra, Thomas Friedman, and Malcolm Gladwell as competing titles, unless you are as famous as they are. Then again, if you’re famous, you can write about anything you want.

6. What will the length be and how will the book look?

Be aware of parameters that affect your book. Books are getting shorter, so you will run up against more reservations once you pass the 200-page mark. (Book pages are different from 250-word manuscript pages.) Color photographs and other graphic elements increase the costs for most publishers, so they will have to price the book higher to recoup costs. Inserts such as CDs or other materials also drive up costs. Be mindful of factors like these.

7. How will you actively market and support the book?

Books don’t launch movements; movements launch books. A book doesn’t launch an author’s career and build visibility; an author’s career and visibility are what launch a book, so don’t expect a book to kick-start your career. Don’t tell a publisher you are available to write articles, speak at events, and engage in other promotional efforts. You should already be writing, speaking, and consulting. Have an audience ready to buy your book before you start it so you have a base you can market and sell it to.

A Final Suggestion

Be careful when making assumptions about publishers and how publishing works. Publishing is an industry unlike any other, and the rules that govern other businesses don’t apply. Learn the lesson that Borders learned. The company’s last five CEOs did not have a publishing background and tried to run the company like their previous businesses. What could have worked wonders in other arenas drove a great store to bankruptcy.

 

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The goal of the blog is to help you and me understand writing and publishing. Rants, comments, questions, and answers most appreciated.

The 10th San Francisco Writers Conference/A Celebration of Craft, Commerce & Community / February 14-17, 2013/www.sfwriters.org / sfwriterscon@aol.com / http://sfwriters.org/blog /@SFWC/ www.facebook.com/SanFranciscoWritersConference

San Francisco Writers University / Where Writers Meet and You Learn / Laurie McLean, Dean/free classes/www.sfwritersu.com/sfwritersu@gmail.com/@SFWritersU

415-673-0939 / 1029 Jones Street / San Francisco, 94109