More of the Same Only Different: BEA 2011

When one Editor-in-Chief was asked what kinds of books he wanted, he replied: “More of the same only different.” That also describes this year’s BookExpoAmerica. More technology booths, more discussion of ebooks, yet books still ruled the day. BEA was reaassuring. Publishers are responding to the changes in the industry, and as they have always done, finding ways to accommodate them. BEA is succeeding in reinventing itself to serve a rapidly changing industry. Librarians are helping to replace booksellers.

The biggest news was Amazon hiring Larry Kirschbaum, the former head of Warner Books and then an agent, to start a trade house, which calls forth a vision of the Six Sisters that dominate trade publishing becoming Three Sisters: Google, Amazon, and Apple.

The Bay Area was well represented on a panel about whether printed books will survive the growing e-valanche of ebooks and enriched versions of them. On the panel were representatives of the two most creative publishers in America: Workman and Chronicle Books, along with someone from Lonely Planet. They’re all doing well with pbooks.

Lonely Planet has had 9.2 million downloads of apps and has still seen double-digit increases in pbooks, although they invested in color to help make that happen.

Chronicle and Workman create books that can never be ebooks. Bob Miller of Workman showed a book for autistic children that included a brush for them to use. He also showed what looked like a bag of potato chips but contained things for cooking Italian food.

Another excellent panel discussed online promotion campaigns. One panelist had a list of more than a dozen elements of a campaign.

The biggest revelation of the convention for me: former Jossey-Bass Executive Editor Alan Rinzler saying that the future of publishing is self-publishing. This helps explain why publishers are starting e-imprints for authors they can’t publish otherwise and why agents are starting to publish ebooks.

Elizabeth and I rent a apartment in the Village, and spend a week or two before BEA seeing editors, family, and friends, and enjoying spring in the Big Apple. For us, BEA will remain an essential rite of spring: an annual reunion of people we only see at BEA; the chance to meet out-of-New York editors and new people, often by accident; gain new perspectives about marketing and publishing at the breakout sessions (which often have hashtags); hear about books at the editors’ buzz panel and the author breakfasts; and see what’s going on in publishing in one big room.

Next year, the convention is a week later, June 5-7. Hope to see you there.

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Engaging Your Readers for Life

New York is a city where something exciting is going on all the time, most of it unsolved.

–Johnny Carson

Elizabeth and I are back from BookExpoAmerica and meeting editors in New York, and solving the mystery of why we go is easy. May in Manhattan heats up by the end of the month, but it’s a delightful time of year to be in the Big Apple.

The cozy, funky basement apartment we rent in a federal brick building on a quiet, tree-lined street in the West Village makes an enjoyable oasis from which to visit editors, promote our conferences, and meet with friends and family. (We also saw the wonderful production of Stephen Sondheim’s A Little Night Music with Angela Lansbury and Catherine Zeta Jones.)

Going to BEA is the only way to get a sense of the state of publishing in one place. In addition to booths on the floor of the huge Javits Center showcasing publishers’ fall books, there are signings, free galleys, talks by authors, and panels on subjects of interest to publishers and booksellers.

Thanks to our marketing director Barbara Santos and the BEA, we had a booth for the San Francisco Writing for Change Conference (November 13-14, 2010; keynoters: Dan Millman and John Robbins; www.sfwritingforchange.org), and the San Francisco Writers Conference (February 18-20, 2011; keynoters: Dorothy Allison and David Morrell; www.sfwriters.org).

BEA was more upbeat this year than last, reflecting the improving economy. Even with 22,000 attendees, the convention is an annual reunion, because there are people, including out-of-New-York editors we only run into at BEA, as well as the unexpected pleasures of meeting people from around the country in a line, at a panel, or at an author breakfast. Booksellers and publishing people are in the business because they want to be, so their shared passion unites them as members of the family of the book.

Attending BEA, at least once, is a valuable experience for writers. It gives you a perspective you can’t get elsewhere on the business and the enormous flow of books into which yours will merge.

When we first went in the late sixties, it was held in the Shoreham Hotel in Washington, D.C. on the steamy Memorial Day Weekend. The holidays have always been the most profitable time of year for booksellers, so publishers used the convention to promote their fall books. Publishers had book jackets spread out on tables and special offers for  booksellers who ordered at the convention. I remember the air conditioning failing, but it was a bustling, relatively small event that gave independent booksellers the chance to meet with publishers.

The word from this year’s convention that stuck with me and will help you is engagement, because building communities has become as essential as writing, promotion, and having a platform. The web enables you to become engaged with potential book buyers who see whatever you choose to send forth into cyberspace: your site, your blog, your articles or short stories, your videos, your podcasts, and your profile and comments in social media and elsewhere.

Engaging a growing community of people you want to read your books is one of the web’s greatest opportunities for writers. Go get engaged. Your readers are waiting for you. Some of them will become life-long fans.